Feature: The Russo brothers and their film-making journey

    Source: Xinhua| 2018-05-15 15:31:13|Editor: Li Xia
    Video PlayerClose

    ATLANTA, the United States, May 14 (Xinhua) -- From young independent filmmakers relying on student loans to fund their work to directors behind "Avengers: Infinity War," a milestone episode of the Marvel Cinematic Universe (MCU), it took the Russo brothers over 20 years to achieve the transformation.

    During a recent interview with Xinhua, Joe and Anthony Russo said that while there are no shortage of pressure and challenges in directing Infinity War and its sequel, they remain committed to creating excitement, the same way they have built their careers.

    BIG MOVIE

    Infinity War, the third MCU movie that the Russos have directed and also the 19th superhero blockbuster produced by Marvel Studios since 2008, brings together dozens of superheroes and other characters from previous MCU movies for a battle against the Mad Titan Thanos.

    Since its release, it has created box office records in several major markets.

    "It's a big movie," Joe told Xinhua. "We would like to think of these (Infinity War and its untitled sequel) as Marvel writing a book for 10 years. These are the final chapters and they are big, glorious chapters with a lot of stakes and a lot of characters."

    "These movies are intended to be the culmination of all Marvel movies that have preceded them within the MCU," Joe's older brother Anthony said. "There is a lot of scope to the storytelling."

    Considering the record number of characters in Infinity War and complicated storytelling, as well as the attention the movie has attracted, the Russos admitted that directing the film was a challenge.

    "It was fun to embrace the challenge of trying to tell a story with so many characters in it and see if you can get away with it," Joe said. "We have to do a storytelling that brings them together in a satisfying way and tells a really compelling story."

    "We spend a lot of time thinking about the story from each character's point of view," Anthony said. "We think about how we can challenge this character, how we can surprise this character, and what situation we can create for this character."

    The pressure was obvious. Joe and Anthony worked 16 hours a day while making thousands of decisions during shooting. There was constant communication between the two with each allowed to play the devil's advocate before reaching consensus.

    Joe said the trick is to cater to "the internal voice."

    "We do our best work when we're emotionally connected to the material and we believe in the material and support the material," he said.

    "We can only make these movies from our point of view," Joe said. "If you cater to yourself, you end up making a really cohesive film and you have your best chance at success."

    UNCHANGED PURSUIT

    Born a year apart, Joe and Anthony, now both in their 40s, grew up in Cleveland, in the state of Ohio. They both fell in love with comic books at an early age, something that has shaped their approach to making films.

    "A lot of those visuals from the books are ingrained in our brains from many years ago," said Joe. "So being able to execute them well, I feel like we have strong connection to the material."

    It was their shared passion and memory that helped them pave their way to Hollywood. Still graduate students at Case Western University, Joe and Anthony in 1997 produced their first feature, Pieces, with funding from student loans and credit cards.

    "Loud, brash and self-confident, the film is needlessly arty and obscure," U.S. magazine Variety said in a review. But for the brothers, they were just looking to excite themselves about a story that they found "interesting, surprising, weird and intriguing."

    The maiden work, when shown Slamdance Film Festival, caught the attention of American producer Steven Soderbergh, who offered to produce the duo's next film before years later when they gained fame directing TV, including for Arrested Development and Community.

    The Marvel Studios later hired the Russos to shoot Captain America's two sequels, Winter Soldier and Civil War, which respectively sold 714 million U.S. dollars in 2014 and 1.15 billion dollars in 2016 in tickets worldwide.

    And more importantly, they redefined all the Marvel movies going forward, according to Kevin Feige, the Marvel Studios president. That made the Russos the best choice for directing MCU's 10-year milestone, Infinity War.

    The Russos said that compared to their work on Pieces when they "were basically doing everything to get it made," the biggest difference for them working on a Marvel movie is that they now "have the most amazing collaborators in the business."

    What remains unchanged is that they are "still looking at a frame, still trying to tell a story through where you point your camera at," Joe said.

    "We just keep trying to surprise ourselves with what a story can go and why we think it's important to tell," said Anthony. "It's really the same process that we started with."

    HOLD DOOR FOR OTHERS

    Last year, the Russos set up a fellowship under the Slamdance Film Festival, which would give the winner a 25,000-dollar cash prize, access to the brothers' studio in Los Angeles, and their mentorship on film-making.

    "It' s not an easy business to get into, especially when you are on the outside and you don't know anybody," Joe said. "The fellowship allows us to be able to hold the door open for someone and try to invite them into the film business."

    As to advice for young filmmakers, Joe said "if you want to be a good carpenter, you have to make a lot of tables. If you want to be a good filmmakers, you have to make a lot of films."

    "It's much easier now to accrue a lot of experience shooting because you can use an iPhone to do it," he said, while revealing that he and Anthony spent a lot of money film stock and film cameras when they were younger.

    The Russos say they pay attention to the Chinese film industry, which has impressed them with its vibrancy.

    "Storytelling is such a significant part of China's history and culture and film-making is an actual extension of that."

    "The creative energy that's happening now in China on a film level is extremely exciting," Anthony said. "The business is doing very well and there's a lot of original artists coming to the table with very cool visions and that makes for an exciting film environment." Enditem

    TOP STORIES
    EDITOR’S CHOICE
    MOST VIEWED
    EXPLORE XINHUANET
    010020070750000000000000011100001371806341
    主站蜘蛛池模板: 韩国免费乱理论片在线观看2018 | 国内精品一区二区三区最新| 国产三级在线观看免费| 久久桃花综合桃花七七网| 中文字幕丰满乱码| 欧美日韩电影网| 午夜免费1000部| 黄色毛片免费看| 在线播放亚洲美女视频网站| 中文字幕日韩欧美一区二区三区 | 亚洲日韩乱码久久久久久 | 宅宅午夜亚洲精品| 久久精品国产99久久久| 永世沉沦v文bysnow全文阅读| 啊灬啊灬用力灬再用力岳| 国产麻豆91网在线看| 在线观看国产wwwa级羞羞视频| 亚洲午夜精品久久久久久浪潮| 精品无码一区二区三区| 国产婷婷成人久久av免费高清| 三上悠亚国产精品一区| 旧番拯救精灵森林第四集| 亚洲精品中文字幕乱码三区| 精品无码久久久久久久久| 国产在线不卡一区| 18女人腿打开无遮掩| 天天爱天天做天天爽夜夜揉| 中文无码人妻有码人妻中文字幕 | 夜夜爽免费视频| 大学生久久香蕉国产线看观看 | 99久久99这里只有免费费精品| 成人国产精品一级毛片视频| 久久国产精品免费观看| 男人的j桶女人的j视频| 国产一级视频播放| www性久久久com| 日本xxxxx在线观看| 亚洲福利一区二区精品秒拍| 精品国产不卡一区二区三区| 国产乱码精品一区二区三| 国产精品20p|